XTZGBP
Tezos / Pound sterling
crypto Composite

The way I see it, XTZ is basically a bet on whether having an actual culture and longg term builders means anything in crypto anymore

XTZ made a fresh all time low about a week ago, around $0.20, and we're barely above it now. Down 97% from the top, below the floor that held since 2018. Market cap is around a quarter billion, which is basically what the ICO raised in 2017. Nine years, round trip. Crypto is rough everywhere right now, but Tezos has been hit harder than most.
For context, I'm a generative artist. I've released work on Tezos and so have a lot of artists I know, some of their best stuff, in small digital editions. So I'm biased, obviously. But I've watched this ecosystem the whole way down, and the gap between what it is and what it's priced at is kind of absurd at this point.
The art is the part outsiders don't get. Minting costs pennies here, so artists actually experiment. That's why hic et nunc blew up in 2021 and why fxhash became the home of generative art. Thousands of artists, millions of works. Zancan's Garden, Monoliths gets talked about next to Fidenza. William Mapan dropped Dragons here before Art Blocks made him famous. All that work lives on this chain and nowhere else, and to me the coin is sort of backed by it. Not like gold in a vault, more like real people who stayed through the whole crash because they're here for the work.
Meanwhile the chain never stopped. 21 upgrades since 2018, no forks, no downtime, and the 21st just went live on June 30. Blocks are 6 seconds, and a transfer costs a fraction of a cent whether it's $10 or $10k.
And there's genuinely interesting stuff ahead. Etherlink (the EVM L2) went from about $1.5M to $82M TVL last year. And Tezos X, the biggest architecture change in the chain's history, has its testnet live and is aiming for mainnet this summer.
Bear case is real: maybe none of this flows to XTZ, competitors have more money and attention, NFT volume is a shadow of 2021, and cheap can always get cheaper. If Tezos X slips, nobody will care.
I hold a little XTZ, so not financial advice. But for me it comes down to one thing: artists kept releasing their best work here through the entire crash. Chains with actual culture don't just disappear. Or at least I hope not.

The way I see it, XTZ is basically a bet on whether having an actual culture and longg term builders means anything in crypto anymore

XTZ made a fresh all time low about a week ago, around $0.20, and we're barely above it now. Down 97% from the top, below the floor that held since 2018. Market cap is around a quarter billion, which is basically what the ICO raised in 2017. Nine years, round trip. Crypto is rough everywhere right now, but Tezos has been hit harder than most.
For context, I'm a generative artist. I've released work on Tezos and so have a lot of artists I know, some of their best stuff, in small digital editions. So I'm biased, obviously. But I've watched this ecosystem the whole way down, and the gap between what it is and what it's priced at is kind of absurd at this point.
The art is the part outsiders don't get. Minting costs pennies here, so artists actually experiment. That's why hic et nunc blew up in 2021 and why fxhash became the home of generative art. Thousands of artists, millions of works. Zancan's Garden, Monoliths gets talked about next to Fidenza. William Mapan dropped Dragons here before Art Blocks made him famous. All that work lives on this chain and nowhere else, and to me the coin is sort of backed by it. Not like gold in a vault, more like real people who stayed through the whole crash because they're here for the work.
Meanwhile the chain never stopped. 21 upgrades since 2018, no forks, no downtime, and the 21st just went live on June 30. Blocks are 6 seconds, and a transfer costs a fraction of a cent whether it's $10 or $10k.
And there's genuinely interesting stuff ahead. Etherlink (the EVM L2) went from about $1.5M to $82M TVL last year. And Tezos X, the biggest architecture change in the chain's history, has its testnet live and is aiming for mainnet this summer.
Bear case is real: maybe none of this flows to XTZ, competitors have more money and attention, NFT volume is a shadow of 2021, and cheap can always get cheaper. If Tezos X slips, nobody will care.
I hold a little XTZ, so not financial advice. But for me it comes down to one thing: artists kept releasing their best work here through the entire crash. Chains with actual culture don't just disappear. Or at least I hope not.